The Hobbit: The Desolation of Smaug Review
Author David Mitchell once charitably said of the film adaptation of his novel Cloud Atlas, “any adaptation is a translation … and I believe a degree of reinterpretation for the new language may be not only inevitable but desirable…”. So indeed were my sentiments about Peter Jackson’s stripping back of (and in many places adding to) The Lord of the Rings books to create his masterful trilogy concluded some eleven years back. The abandonment of plot-irrelevant or dramatically redundant scenes (novel fans will understand this to mean most notably Tom Bombadil or the Scouring of the Shire) and the embellishment of the novel’s only lightly-treated romantic plotlines served to create a film that was tauter and more emotionally engaging. Suffice it to say, I believe straying from the source material isn’t always heretical butchery; often its just good, audience-minded discretion.
